Freelance Copywriting and Editing

Image of Ali Luke, AliVentures, Copywriting Interview
Ali Luke of AliVentures

 

Wondering what it takes to start and sustain a copywriting and editing business?  I’ve been at it for 15 years and blogging about it for 7 years. I’ve worked hard to make it work for me. Can you do the same?

Ali Luke of AliVentures in Cambridge, England, (that’s her at left) interviewed me on this topic, and posted it in her private Writer’s Huddle group. She’s allowed me to share it with you.

Click to listen to the 45-minute interview on SoundCloud.

Click to download a PDF transcript of the interview.

Click to download a PDF of the accompanying WORKSHEET.

Thanks, Ali! You are an amazing woman, and a gift to the freelance writing community around the world!

 

How to Write More in Less Time

The real “art” of writing compelling copy—words that matter and draw people into the story—is in knowing what goes where and how to edit for story potency.

A hint from Copywriting 101: Your first draft will never be your best draft, but that doesn’t mean it won’t be full of great fodder for the finished piece, whether it is a short story or a magazine article, blog post, or the concept for a full-length novel. Your first intention should be only to get words on paper, or on screen, if you prefer. Just get your thoughts down as if you were talking to a friend, and try to do it in ten minutes or less. Then walk away for at least two hours.

When you come back, it’s time to organize and edit. For a 300-word article or post, give yourself no more than 30 minutes. Read it out loud to yourself, note changes needed, then walk away again.  I know some will argue this point, but in my writing, I rarely sit for more than an hour before I need a mental and physical break, and I do edit as I go along.

The final round of the practice is to read your piece out loud to someone you trust to tell you the truth. If you stumble over words or phrases, change them. If your sentences are too long, break them in half. If you’ve used industry jargon or ten-dollar words, clean things up. If you’ve wasted too much space with unnecessary introductory material—a common error for new or untrained writers—your friend should tell you. Get rid of it. Make it worth your reader’s while.

My very first copy writing instructor drilled in into our heads to look for the parts of what we had written that we really loved—the sentences or phrases to which we were emotionally attached—and cut them out completely. This is the “kill your darlings” process, a challenging exercise in non-attachment and journalistic excellence that, in the end, will make your writing stronger.